- cross-posted to:
- movies@lemm.ee
- cross-posted to:
- movies@lemm.ee
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From reading the penny arcade blog about it and watching the trailer, it seems to be an arthouse movie that just happens to be made by the most famous people on earth. You might love it or hate it but most people just won’t get it either way
For $120 million.
Damn, cinema tickets have really gone up in cost
To be fair, that includes a large popcorn.
Ticket is 50 cents without the popcorn
With or without butter? Gotta know if I’m getting my money’s worth here.
What’s the drink size like?
At that price I’m definitely sneaking in my own drink and snacks.
OP lives in Zimbabwe and built their own top-end basement home theater in preparation for the movie.
Sounds to me like some self indulgent, pompous, crap but that’s just me.
I agree, it was shallow and pedantic.
It’s wild this mf made an Atlas Shrugged-ass movie while everyone out here is living like Upton Sinclair’s The Jungle.
Read the room, guy
Nice theater tho!
It is difficult to get a man to understand something, when his salary depends on his not understanding it.
I don’t understand what you are saying but I want to.
Care to tell me what is the message of atlas shruggs and the jungle are?
Atlas Shrugged is the conservative wet dream of “what if the rich people that totally do all the work and hold everything together got tired of the poors being so whiny and ungrateful and stopped.” It’s an-cap fan fiction.
Ayn Rand wrote robber baron fan fiction
And then died living off social security and Medicare.
Like a true hypocrite
S’what I said
“Robber baron” needs a resurgence for modern times
you missed out the part where they go to live inside a holographic volcano and pay each other with gold - which of course is useless inside a volcano but the book glosses over that
The Jungle was a book exposing the nightmares of the industrial revolution, especially in the meat packing industry.
Since others have explained what those stories are about, the juxtaposition is about the idea of the Ubermensch being the savior of humanity, namely one where the Ubermensch are capitalists, is a dead concept in a world where we’ve let the capitalists run everything and result is an unmitigated disaster.
Turns out, they just want money and power. That’s it, they can’t save us. Why is this movie venerating them?
I have to ask. What about this movie is so bad
I haven’t seen it, I hadn’t even heard of it until yesterday. But you don’t get a flop THIS epic without some Morbius tier blunders
I haven’t seen it and, although I know it gets panned a lot for various reasons, I highly recommend at least reading the snippets of reviews of the film by critics to get an idea. Even a lot of the so-called positive films are basically ‘this movie clearly sucks, but I liked it anyway.’
Basically, it’s a very expensive, pretty, and totally incoherent mess of a film that a few people feel is profound but most people think is a colossal piece of shit.
https://www.rottentomatoes.com/m/megalopolis/reviews
Also, some theaters have a lady stand in front of the screen and lip synch to a specific scene and then leave for some reason. Don’t ask me to explain that.
Edit: also, that link provides you with gems like this one from Richard Roeper-
deleted by creator
I feel like I need to watch this like I watched tenet, barely giving a shit while sick, lying in bed and from my phone
- Roger Ebert
it’s a very expensive, pretty, and totally incoherent mess of a film that a few people feel is profound but most people think is a colossal piece of shit.
It sounds like what people should have thought about Inception, but everyone instead apparently fucking loved that movie.
All the hate given toward Megalopolis makes me want to see it. Before that, I wasn’t interested just based on the poster.
I eventually want to see Megalopolis too.
I like watching art house movies and then figuring out what I don’t like about it. Even the ones everyone loves. Magnolia was one people loved and I just didn’t get.
Yeah, well the thing is for me a lot of those types of movies are great but some are absolute trash. And then there are some that I have a lot of mixed feelings about. I don’t really get most David Lynch movies for example, but I’ve rarely felt like watching them were a waste of time because at least you’ll see something interesting. Then there’s total bizarre experience films. I have no fucking clue what Holy Mountain was, but I was fascinated by it.
I could not get through The Holy Mountain. I like some art films, but not the ones that drag. That one seriously dragged.
I sort of enjoyed it. Like I said, it was bizarre and confusing but I’m glad weird movies like that can be made sometimes. If nothing else just to explore what can be done on film.
I’m all for exploration and experimentation in films. I just couldn’t get through that one.
Peter Greenaway has made some fun art films. They often poke fun at themselves. My favorite is Vertical Features Remake, which is on this Russian streaming site for some reason, but you can watch it there in English for free, so what the hell…
The issue with this film however seems to be that not only is it incoherent and rambling, it’s also incredibly dull.
Have you seen it or are you just repeating other people’s opinions?
I literally said seems to be
I’ve seen it and that’s a fair summary.
Everyone I’ve seen say that haven’t seen it. Also it’s an arty heady drama, of course it’s gonna feel slow at times and be more vague than your average viewer will like.
I like watching art house movies and then figuring out what I don’t like about it.
Have you seen Aimy in a Cage? It’s a great example of that. It’s an art house film that does many things right, but unfortunately “something” wrong (I think related to editing or cinematography) so it’s not very good.
Okay, but just so you know, it’s 2 hours and 18 minutes long.
Yeah, depends on the film if that’s long or not. Lawrence of Arabia is one of my favorite movies. It is 3:45 long, and I’m glad they didn’t cut it shorter.
Maybe they megaloped around?
The best part of Megalopolis was when he said “It’s megalopolin’ time!” and megaloped all over those guys.
Nah it’s just an expensive passion project art movie. It was never going to make money, it was Francis Ford Coppola finishing his last project that’s he’s been working on. I quite enjoyed it, despite there being obvious flaws, and many things that would make your average viewer not really care.
It can be a bit dated in references but generally they all land. There isn’t really a single unifying message which is what I would say is the biggest problem. It’s more interested in asking questions and posing that against our current real world than actually trying to answer them.
Apart from that the performances are generally all good, and while the characters feel like archetypes as opposed to clearly defined people, it works, for me at least.
It’s also just really weird. There’s dream sequences but seemingly they aren’t, just a perspective shift of what’s actually happening.
Overall I’d much rather watch Megalopolis than whatever Disney Corporate Movie Product comes out next. I’d prefer misses the mark but tries for something different and interesting, over cookie cutter formulaic plot beats and generic quippy characters.
Yeah, but then you have to watch Megalopolis.
Maybe your AC is out and you need a nap?
Maybe you are a career politician and need to wank off someone and vape without getting in the news about it.
Or a politician looking for a lot of vacant upholstery to vilolate?
This is how my wife uses The Carousel of Progress when we go to Disney World.
My favorite part is when the main character shouts “its megalopolin time” and then he megalopped all over the place
Mine too, but after that it was pretty slow
perfect place to fuck in a theatre
Ya but i heard there’s an Amy Plaza face sitting scene. Seems like this years movie of the year to me.
I’ve seen it and that’s the high point of the film.
More like Megaflopolis
When I heard about this movie I thought is was a live action movie adaptation of the anime classic Doomed Megalopolis.
Turns out is was a doomed Megalopolis of a different sort.
I just checked it out last night, i had a feeling it was a fun project for the actors, regardless of the overall quality, i wanted to see how they enjoyed performing.
To be honest i didn’t hate it. It was longer than it should be, sucked itself off while also having awkward theater kid feeling moments. But i didn’t find it as disjointed as everyone talked about, if you watch some media that’s figurative you’ll be fine, it’s mostly more or less just a linear narrative following the main characters.
Honestly it wasn’t the worse use of my time, for me. My partners watched with me and one left feeling frustrated at the conclusion (no spoilers) and felt their time was wasted, while the other just could not have their attention held, there were a lot of ‘i am deep’ shots that if you dont enjoy that you just wont.
All that is to say I didn’t pay anything for it, so i had less reason to come in with any expectations. Oh, and I never found I liked the Godfather or his other “classics” so i came in expecting an old man’s passion project and that’s what i got. The actors felt like they had a blast so i couldn’t help watching the whole thing for them.
All and all, if you can see it for free and appreciate it for what it was (a fun bad movie) i think it’s fine. If anything i found the ending to be a bit saccharin for a movie that tried to be dark? Some of the parts wrapped up ridiculously im still kind of stunned.
Is that South Bank Cineplex?
