• Gork@lemm.ee
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      1 year ago

      Valve can’t count to 3 though.

      Expect after the Steam Deck 2 for its successors to be Steam Deck 2: Episode 1 and Steam Deck 2: Episode 2.

      • tal@lemmy.today
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        1 year ago

        Valve can’t count to 3 though.

        Capcom had years of jokes on exactly that point with the Street Fighter series, but they eventually did release Street Fighter III.

        EDIT: For those not familiar, here’s the relevant portion of the series timeline:

        • Street Fighter

        • Street Fighter II: The World Warrior

        • Street Fighter II: Championship Edition

        • Street Fighter II: Hyper Fighting

        • Super Street Fighter II: The New Challengers

        • Super Street Fighter II Turbo

        • Street Fighter Alpha

        • Street Fighter: The Movie (the video game)

        • Street Fighter Alpha 2

        • X-Men vs. Street Fighter

        • Street Fighter EX

        • Street Fighter III: New Generation

        • SchizoDenji@lemm.ee
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          1 year ago

          To be fair to Capcom, they did release Ace Attorney 3 quickly and it was the peak of the franchise.

      • ChapulinColorado@lemmy.world
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        1 year ago

        It would be free marketing if they went with that approach. I can already see the headlines: “Why the ‘Steam Deck 3’ is called the ‘Steam Deck: Episode 1’ and other 5 things with origins on the memeverse”

      • xantoxis@lemmy.world
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        1 year ago

        Their problem is they already made a perfect game. Now they have to do it again. Doing something perfectly once can be chance, doing it twice is massively more difficult.

  • Hubi@feddit.de
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    1 year ago

    Interesting spin on the “A delayed game is eventually good, but a rushed game is forever bad”-quote.

    • MeatsOfRage@lemmy.world
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      1 year ago

      These quotes are from a time when games were stamped into hard plastic and circuitry. No Man’s Sky and Cyberpunk are two examples of games with rocky launches that are both amazing now. Saying a game is forever bad simply isn’t true anymore provided the makers stand behind the product.

      • Pleb@feddit.de
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        1 year ago

        But they don’t most of the time. If you aren’t very lucky like with No Man’s Syk or Cyberpunk, you are stuck with an abandonend pile of garbage. And even with those games, it would have been better for everyone involved if they were what they are now from the start.

      • e-ratic@kbin.social
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        1 year ago

        NMS is better since release but saying it’s amazing now is a bit of an embellishment. At its core it’s the same game with all the fundamental issues it always had, there’s just more fluff added on.

      • SkyezOpen@lemmy.world
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        1 year ago

        But the damage is lasting. NMS will always be known for the absolute shitshow it was on launch. Props to them for eventually delivering, but the game will never be as iconic as it could have been. Like compare bg3’s reception of “holy shit it’s so good” vs NMS’s “oh it’s finally good now.”

        • Mereo@lemmy.ca
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          1 year ago

          Indeed. I always read in forums people asking if NMS is worth playing now. Imagine if it had a great launch from the beginning. It would’ve been much more successful and wouldn’t have a bad reputation like it does know.

      • LillyPip@lemmy.ca
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        1 year ago

        On the other hand, making me a beta tester for games I paid AAA prices for leaves me with a very negative feeling. You only get one chance to make a good first impression.

  • seiryth@lemmy.world
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    1 year ago

    Not sure why we’re arguing this quote with the same two games over and over. Nms and cyberpunk are great games, but they’re a rarity.

    Game Dev crunch is a plague in th industry, we suffer as consumers who cop bad releases on release. The whole industry could learn from its roots and delay things for a better initial product.

    Defending the current practice of redevelopment in post is almost consumer gaslighting.

    • ipkpjersi@lemmy.ml
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      1 year ago

      Plus, the base game itself should be good. It shouldn’t need updates. Post-game launch updates should be enhancements, not fixes.

      • Pogbom@lemmy.world
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        1 year ago

        Seriously, we need to return to pre-internet console mentality. You put out an N64 game, it better be goddamn finished. Companies rely way too much on “ehh can just patch it”.

        • whofearsthenight@lemm.ee
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          1 year ago

          I mean, modern games are many times more complex so the idea of putting out a “finished” game these days is more like “this is an acceptable level of bugs/most players won’t hit this.” The problem is that the acceptable level has shifted way too fucking far in the wrong direction to the point where in some cases we’re barely getting an alpha, much less a beta. In general, I have no problem with companies putting out good games that get better, like tuning for performance so you get better FPS, it’s player on lower spec machines, etc. I don’t like the idea of paying to be a beta tester for two years, and not getting the good game until way later.

        • SSTF@lemmy.world
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          1 year ago

          I’m not arguing in favor of companies putting out shoddy gamesor the practice of games needing patches to fix glaring issues, but suggesting that the 90s and early 2000s were the days of totally flawless games seems like a result of survivorship bias.

          We remember the great games from those days, but there were mountains of shovelware games releasing with all the problems we see today.

          Even many good or great games from those days have problems that either remain unfixed, or have only been fixed years later by fans.

    • Wumbologist@lemmy.world
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      1 year ago

      I would even say NMS is a good example of this sentiment. The game has been good for years now and has had tons of free updates. There’s a lot of people out there who just don’t care and you can see this in forums whenever the game makes news. People still show up to decry the game for how terrible the release was.

      Public sentiment on the game and the studio is still pretty mixed

    • Dojan@lemmy.world
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      1 year ago

      The fact that it’s only the same two games is more of an argument against than for, honestly. With all of the awful launches people can think of two games that were redeemed.

      That’s bad.

    • IndefiniteBen@leminal.space
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      1 year ago

      I think a big difference with both is that they’re not big multiplayer titles that are looking to make money with cosmetics.

      If a multiplayer focused game is shit at launch, it won’t get a good user base and then it’s as good as dead.

      • FunctionFn@feddit.nl
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        1 year ago

        Both Destiny and Destiny 2 had really poor launches. Then they cleaned up their act and we’re very successful and had thriving playerbases. Light fall and this past year notwithstanding…

    • SSTF@lemmy.world
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      1 year ago

      I’m not defending the need for post-launch patches to fix glaring issues and I’m not defending crunch, but suggesting that buggy releases and crunch haven’t been with gaming since the earliest days of the industry seems like putting on rose colored glasses. There is a lot to damn about the current industry, but painting the root days of the industry as free of those same issues just to make the comparison seems unrealistic.

  • tal@lemmy.today
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    1 year ago

    I don’t disagree that often an early release can really kill a game. I think that Fallout 76 would have done much better had it not gone out the door for a while, and I think that the poor quality at release really hurt reception; despite Bethesda putting a lot of post-release work into the game, a lot of people aren’t going to go back and look at it. CDPR and Cyberpunk 2077 might have done better by spending more time or deciding to cut the scope earlier in development too. But, a few points:

    • First, game dev is not free. The QA folks, the programmers, all that – they are getting paid. Someone has to come up with money to pay for that. When someone says “it needs more time”, they’re also saying “someone needs to put more money in”.

    • Second, time is money. If I invest $1 and expect to get $2 back, when I get that $2 matters a lot. If it’s in a year, that’s a really good deal. If it’s in 20 years (adjusting for inflation), that’s a really bad deal – you have a ton of lower-risk things than you could do in that time. Now, we generally aren’t waiting 20 years, but it’s true that each additional month until there is revenue does cut into the return. That’s partly why game publishers like preorders – it’s not just because it transfers risk of the game sucking from them to the customers, but also because money sooner is worth more.

    • Third, I think that there are also legitimate times when a game’s development is mismanaged, and even if it makes the publisher the bad guy, sometimes they have to be in a position of saying “this is where we draw the line”. Some games have dev processes that just go badly. Take, say, Star Citizen. I realize that there are still some people who are still convinced that Star Citizen is gonna meet all their dreams, but for the sake of discussion, let’s assume that it isn’t, that development on the game has been significantly mismanaged. There is no publisher in charge of the cash flow, no one party to say “This has blown way past many deadlines. You need to focus on cutting what needs to be cut and getting something out the door. No more pushing back deadlines and taking more cash; if the game does well, you can do DLC or a sequel.”

    EDIT: I think that in the case of Cities: Skylines 2, sure, you can probably improve things with dev time. But I also think that the developer probably could have legitimately looked at where things were and said “okay, we gotta start cutting/making tradeoffs” earlier in the process. Like, maybe it doesn’t look as pretty to ship with reduced graphical defaults, but maybe that’s just what should have been done. Speaking for myself, I don’t care that much about ground-level views or simulated individuals in a city-builder game, and that’s a lot of where they ran into problems – they’re spending a lot of resources and taking on a lot of risk for something that I just don’t think is all that core to a city-builder game. I think that a lot of the development effort and problems could have been avoided had the developer decided earlier-on that they didn’t need to have the flashiest city sim ever.

    Sometimes a portion of the game just isn’t done and you might be better-off without it. Bungie has had developers comment that maybe they shouldn’t have shipped with The Library level in Halo. My understanding is that some of the reason that different portions of the level look similar is that originally, the level was intended to be more open, and they couldn’t make it perform acceptably that way and had to close off areas from each other. I didn’t dislike as much as some other people, but maybe it would have been better not to ship it, or to significantly reduce the scope of the level.

    I mean, given an infinite amount of dev time and resources, and competent project management, you can fix just about everything. Some dev timelines are unrealistic, and sometimes a game can be greatly-improved with a relatively-small amount of time. My point is that sometimes the answer is that you gotta cut, gotta start cutting earlier, and then rely on a solid release and putting whatever else you wanted to do into DLC or maybe a sequel.

    I won’t lie: That’s the kind of talk that really makes me wish Valve would quit playing around with Steam and weird hardware experiments, and go back to making new games.

    I don’t agree at all. There’s one Valve and Steam. If it’s not Valve, it’s gonna be Microsoft or someone, and I’d much rather have Valve handling the PC game storefront than Microsoft. There are lots of game developers and publishers out there that could develop a game competently, but not many in Valve’s position.

    • SSTF@lemmy.world
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      1 year ago

      I think that pretty much every great game, especially those boxed and released before digital distribution, was made by a passionate and talented team.

      I’m just about certain that every team on those games would have at least one person pushing for more development time to make it just a little bit better.

      It’s a romantic idea to say devs should have all the time in the world, but somebody needs to be the voice saying, “No, it’s done. We are boxing it.”

      If enough of the development team can articulate why they need a delay, and if it looks like they are making actual progress, delays are good. If it’s just constant iteration and tweaks, that’s not enough justification.

  • Immersive_Matthew@sh.itjust.works
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    1 year ago

    This is true, but gamers are so impatient. I am in early access with my Virtual Reality Theme Park and have been busting it for 3 years as a solo dev, and of course it is not a full Theme Park yet. What does exist has put me into the top 10 on the Meta Quest App Lab store, but I get bounced out of the top 10 now and then as I will get 3* saying new rides are not coming fast enough. People are so impatient just like shareholders.

    • madcaesar@lemmy.world
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      1 year ago

      Make sure you put in the description you are a small one dev team. Most people are reasonable and understand you can only do so much.

      People are way less patient with asshole AAA studios that crank out garbage because they waste time implementing micro transactions or bullshit DLCd

    • Litany@lemmy.world
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      1 year ago

      Time was not the issue with HBO Got. The show runners ran out into the ground so they could move on and be done with it.

      • ASeriesOfPoorChoices@lemmy.world
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        1 year ago

        Time was the issue. They ran out of time waiting for GRM, so they went their own way. If they had waited… We’d still be waiting, but wouldn’t have gotten the suck.

        • Zron@lemmy.world
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          1 year ago

          You mean if they’d been competent show runners in the first place.

          The show was great when it was based off of good writing.

          Then it got sketchy as they had to rely on GRRM’s notes.

          Then the notes got more vague, and season 7 and 8 turned into garbage.

          Conclusion: D&D were mediocre show runners who couldn’t hire competent writers, and thought game of thrones was about subverting expectations instead of strong character arcs.

          Justifiably, it lost them their next gig.

          HBO was willing to wait for good seasons. But D&D wanted to get into a Star Wars contract with Disney. They rushed season 8 out the door with lazy writing to get that Star Wars deal.

          After season 8 traumatized GOT fans and bombed in reviews, Disney backed out of the deal, and D&D have fallen into obscurity.

      • SSTF@lemmy.world
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        1 year ago

        Apparently it managed to get worse. The leak of the 2001 build that people are patching up actually looks really cool.

        • bionicjoey@lemmy.ca
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          1 year ago

          My understanding is that the released game was not a “descendant” of that 2001 preview. The game was totally scrapped and then a new iteration was started years later which is what eventually was released. So it’s not like the game was actually being worked on for a decade. More like the released game (which was only built over a couple of years) had the same name as a scrapped game from a decade prior.

          • SSTF@lemmy.world
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            1 year ago

            That is precisely what happened.

            I was merely framing it that the 2001 build was seemingly on the road to being a good, or at least faithful Duke Nukem game but management kept dictating changes to it to keep up with gaming fads. Eventually Gearbox just shoved an entirely different build out the door.

            The 2001 build was victim to a lot of start-stop-start-stop development.

  • misophist@lemmy.world
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    1 year ago

    Suck is forever

    “Hard disagree.” – person who played FFXIV before the realm got reborn

  • Destide@feddit.uk
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    1 year ago

    I dont think any creative would disagree shareholders and useless management however

      • SSTF@lemmy.world
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        1 year ago

        Perhaps. I suppose saying: “Delaying a game which is making coherent progress is better than forcing devs to cut their work short.” is a much less catchy quote.

        Duke Nukem Forever suffered both from not giving the appropriate development time to a single workflow, and from the related problem of upper manglement constantly demanding changing the game so much it was like starting over again and again.

        The leaked 2001 Duke Nukem build is promising. If the devs had been supported in focusing on that rather than constantly retooling the game to chase trends, it may have at least been decent.

        • SSTF@lemmy.world
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          1 year ago

          If only there had been a 20% higher cocaine budget for John Romero.

    • SSTF@lemmy.world
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      1 year ago

      It can also be difficult to determine when a game has had enough development time. Pretty much every game considered good or great has had some content cut for development time reasons. At the end of the day, somebody does have to be the person who reigns in the excess.

      Sometimes cut content would have been better if left in, sometimes cutting it was clearly a good choice.

      And then there’s the simple reality that a studio that delays too much risks going under, which kills that game and all future games by them, so when is good enough good enough to ship a game?

  • AMillionNames@sh.itjust.works
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    1 year ago

    There’s only so much delaying can help a badly designed game, delaying only really helps those games that need that extra polish and likely won’t be receiving it afterwards.