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Joined 1 year ago
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Cake day: July 15th, 2023

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  • My dude, I am literally praising the writing they did on DS9 and LD with Sisko and Freeman. Two people of color who are in charge.

    I am not criticizing Disco or the writers for the existence of the characters. I think it is very cool that there’s a woman of color running the ship. And that the mushroom engineer has a loving marriage with his doctor husband. And that they picked up a cool enby person with a ghost boyfriend who plays the cello.

    I am not criticizing the existence of these characters. I am criticizing the execution.

    I am saying that the writing was bad, the plots made no sense, and the characters’ motivations were all over the place. And yeah, the main character thing was bothersome. Not very Star Trek. The show about an ensemble cast doing space stuff.


  • If one person says hey we should do this thing, and everyone else says no we shouldn’t based on the information we have, and it turns out that the one person was right because of things nobody knew at the time, that’s a boring plot device. When it happened multiple times, and then kinda all the time, I stopped watching.

    Kirk and Sisko sometimes disagreed with their crews. Sometimes they were wrong. Burnham was always right. And it got old.


  • Don’t worry, I’m not the type of person you think I am. I have queer friends. My partner’s a bi she/they. I drive a Prius. I’m gonna vote for the woman of color here in a few weeks. Pretty cool of you to make that assumption, though.

    I actually really liked Disco S1 and kinda S2. But the whole “one special person across time and space” thing got kinda old. One person is always right. No matter what. That and the Discovery-is-special-ex-machina Burn alongside the ridiculous constantly-reconfiguring-geometry ships made me lose interest. I hear half the Disco bridge crew had like zero character development in the last season, and they just didn’t even bother having Detmer there for a lot of it.

    Strange New Worlds? Lower Decks? Hell yeah. Perfect Star Trek. 10/10. Disco and Picard? Trying too hard to make “prestige TV” and ending up forgetting why Star Trek is good: ensemble casts working together.