The other 95% of all visitors will still want to see this page. If the most visited websites use such a blocking method, then most visitors will use Chrome.
The other 95% of all visitors will still want to see this page. If the most visited websites use such a blocking method, then most visitors will use Chrome.
This can be problem for Firefox and Chromium based Browsers, too. If the Website decides that Manifest v3 is mandatory to visit their site, they can block any access from Browsers with v2 running in the background easier than before.
With the WebM-Format they use it might be possible. It’s based on Matroska and there is a feature to replace or add chunks within the stream in realtime.
In Germany, there is a law that regulates the amount and intervals of advertising for private television broadcasters: 20% or 1/5 per broadcast day may be used for advertising. Programs that are shorter than 30 minutes may have a break, otherwise there must be 20 minutes between commercial breaks - 30 minutes in the evening. Unfortunately, there are still some loopholes.
Children’s programs are not allowed to have commercial breaks.
It’s a shame that this law still doesn’t apply to YouTube.
Maybe they want to compete with the price per subscription: let’s say they want to charge 5 € per month for Photo, Design and Publisher each, against 26 € for Photoshop (alone).
Remembering the situation when Macromedia was bought bei Adobe – now I have the same vibes again. Five years later nothing was left except Flash – that horrible piece of software – and Dreamweaver – I liked that one. The best transition back then was from Freehand to Illustrator and (consequently from Quark) to InDesign.
And then in 2015 to Affinity. So … 5 years with Corel, 12 years with Adobe/Macromedia, now 8 years with Affinity, so far … let’s see what they do and what we decide afterwards.
What will happen next?! The Logo is really similar to x.org or their X Window System.
Germany, 1992: During a lesson, my music teacher played the theme from “Raumschiff Enterprise” - that’s what TOS is called here - to test his new sound system. 🎼
I wanted to have this track, searched in music and video stores, and the only thing I found was a VHS tape of Star Trek 6. And guess what: this particular music theme was not used in the movie, but the plot and effects captivated me. 🖖
Around the same time, the second season of TNG had its first run in Germany 📺. This series had a similar piece of music 🎶, so I stayed tuned - and lucky me, a few months later there was a rerun of seasons 1 and 2 almost every weekday, followed by the remaining seasons every weekday from summer 1993 until summer 1994. And during that time I also found the Soundtrack with the TOS theme. ✌️